Description
Beguiling for the mind and yet eminently intelligible to the eye, ‘Flight’ flows in upward tending ecstasy towards an elliptical and weightlessness resolution wholly reliant upon intertwined relationships. In Gaston Bachelard’s Poetics of Space the author speaks of crystals, flowers and shells as ‘privileged forms’. In ‘Flight’ Stuart has invented a privileged form which evokes a sense of acceleration towards freedom. ‘As a bird might position itself when initiating flight,’ writes Stuart, ‘so too does this sculpture seek to soar and uplift.’

















