Description
‘Resurrection’ conjoins two sublime subjects of contemplation: the female form and the form of the spiralling shell. In both we observe and admire nature dreaming in curved lines that give the concept of beauty tangible meaning. Taking Bruno Bruni ‘Solitudine’ as a point of reference, Stuart draws the subject further out of her solitude, perhaps suggesting a subsequent phase of feminine evolution, from a secure, secret, dreamy and death-like interiority toward an experience of the fortress-like spiral’s rough exterior, that in the past grew hard for her own protection.
























